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Cutting on action, and the stranger helps us revisit the space. The surfaces are reflecting, gleaming, pouring light all over, obviously not to reveal, but to conceal what's behind them. Similarly, the man smiles when talking about a monster — the translation refuses to resort to beast, preferring the creature that demonstrates what fails to fit a category. He walks intoxicated, or like a young boy, i.e. the only two states where a lack of full consciousness can be socially or existentially excused.