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Pretending you are out of breath when what you are really lacking is a sense of direction – sounds like a strategy, just like addressing a second person singular. The camera uses this purposeful but disoriented body as a springboard to rocket from the earth to the sky and keep swinging. Our hero becomes a cowboy again, with his head against the horizon. He seems at home in this negative space. This is the finish line, but not the end of the race. Another paradox.