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Easy riders are never easy — Elias is no exception to the rule. He's equally attentive to who's watching and to the road itself, casually looking left and right for witnesses to his success story. It could have been comic relief, but the ambience feels fake — like a car scene shot before rear-projection tricks existed, when crews moved things around by hand. The meadow in the back will soon be consumed by the illusion of a vortex. The moment our gaze travels into the background, we're hypnotized.